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One bowl of fufu can explain a war. One proverb can outsmart a drought.

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About the Author

A Legacy Resource, Recognized Worldwide

For 19 years, The African Gourmet has preserved Africa's stories is currently selected for expert consideration by the Library of Congress Web Archives, the world's premier guardian of cultural heritage.

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Black circumcision cake in Sweden the real story

Cartoon stereotyped circumcision cake designed by black Swedish artist Makode Linde, freedom of art speech or stereotype reinforcement?

Cartoon stereotyped Swedish circumcision cake designed by black Swede Makode Linde
Circumcision Cake

Black circumcision cake in Sweden the real story

Sweden's culture minister Lena Adelsohn Liljeroth on Saturday, April 14, 2012, during an art exhibit cut up a cake baked into the shape of a cartoon stereotyped African woman. As the head of Sweden’s Ministry of Culture, she was responsible for issues relating to culture, media, democracy, human rights at the national level, the national minorities and the language and culture of the indigenous people of Scandinavia.

The Ministry is also responsible for anti-discrimination work and issues concerning civil society, and faith communities. The incident involving Liljeroth happened at the Moderna Museet Museum in Stockholm in honor of World Art Day. According to the cakes artist Makode Linde, who is black Swede born in Stockholm said the cake was misunderstood.

The cake was supposed to highlight the issue of female circumcision. The cake was in the shape of the naked upper body of a very black African woman filled with a blood-red sponge cake. Linde painted his own face black with wide red lips outlined in a white dotted with sharp crooked white teeth. Linde used his own head complete with dreadlocks, in place of the cakes head.

With each slice of cake, Linde would scream in mock pain to simulate the pain of girls who undergo female circumcision. The Association for African Swedes said it was a crude racist caricature. Kitimbwa Sabuni, a spokesperson for the Association for African Swedes, said, "To say that you did this for a good cause only makes the mockery of people who are victims of racism and of circumcision worse."

Liljeroth said, "It was a bizarre situation. I was invited to speak at World Art Day about the freedom of art and the right to be provocative, and then they asked me to cut up the cake." Liljeroth served as Sweden’s Minister for Culture from October 2006 until October 2014. The current culture minister of Sweden is Alice Bah Kuhnke who grew up in Småland, Sweden with her Gambian father and Swedish mother.

Explore more cocoa stories in the Chocolate Hub .

Recipes Explain Politics

The Deeper Recipe

  • Ingredients: Colonial trade patterns + Urbanization + Economic inequality
  • Preparation: Political disconnect from daily survival needs
  • Serving: 40+ deaths, regime destabilization, and a warning about ignoring cultural fundamentals

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African Gourmet FAQ

Archive Inquiries

Why "The African Gourmet" if you're an archive?

The name reflects our origin in 2006 as a culinary anthropology project. Over 18 years, we've evolved into a comprehensive digital archive preserving Africa's cultural narratives. "Gourmet" now signifies our curated approach to cultural preservation—each entry carefully selected and contextualized.

What distinguishes this archive from other cultural resources?

We maintain 18 years of continuous cultural documentation—a living timeline of African expression. Unlike static repositories, our archive connects historical traditions with contemporary developments, showing cultural evolution in real time.

How is content selected for the archive?

Our curation follows archival principles: significance, context, and enduring value. We preserve both foundational cultural elements and timely analyses, ensuring future generations understand Africa's complex cultural landscape.

What geographic scope does the archive cover?

The archive spans all 54 African nations, with particular attention to preserving underrepresented cultural narratives. Our mission is comprehensive cultural preservation across the entire continent.

Can researchers access the full archive?

Yes. As a digital archive, we're committed to accessibility. Our 18-year collection is fully searchable and organized for both public education and academic research.

How does this archive ensure cultural preservation?

Through consistent documentation since 2006, we've created an irreplaceable cultural record. Each entry is contextualized within broader African cultural frameworks, preserving not just content but meaning.