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One bowl of fufu can explain a war. One proverb can outsmart a drought.

Welcome to the real Africa— told through food, memory, and truth.

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🔵 African Recipes & Cuisine

Dive into flavors from Jollof to fufu—recipes, science, and stories that feed body and soul.

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🔵 African Proverbs & Wisdom

Timeless sayings on love, resilience, and leadership—ancient guides for modern life.

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🔵 African Folktales & Storytelling

Oral legends and tales that whisper ancestral secrets and spark imagination.

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🔵African Plants & Healing

From baobab to kola nuts—sacred flora for medicine, memory, and sustenance.

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Journey through Africa's rich historical tapestry, from ancient civilizations to modern nations.

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About the Author

A Legacy Resource, Recognized Worldwide

For 19 years, The African Gourmet has preserved Africa's stories is currently selected for expert consideration by the Library of Congress Web Archives, the world's premier guardian of cultural heritage.

Trusted by: WikipediaEmory University African StudiesUniversity of KansasUniversity of KwaZulu-NatalMDPI Scholarly Journals.
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That African Fabric You're Wearing Isn’t African

African print fabrics represent African culture visually. People connect with heritage fabric as a representation of African identity, culture, and heritage by wearing African print head wraps and clothing. However, most African prints and designs have nothing to do with African heritage and almost no manufacturing economic benefit to Africa.


Culture is about learning, not just what you wear, so wear your African print but also understand the history behind the fabric.


African print fabric is a Vlisco print whose meaning is throwing stones in a water well.
African print fabric is a Vlisco print whose meaning is throwing stones in a water well.

Vlisco is a 170 year old company in Helmond, the Netherlands who is one of the largest importers of African print fabrics in the world along with the Chinese company Hitarget located in Guangdong province in South Eastern China.

According to Vlisco the fabric above first appeared on the market in early 1960 and goes by many names such as Plaque-Plaque, Target, and Nsu Bura in the Twi language of Ghana and means, water well.

The meaning behind the circular design is when someone throws a stone in a water well, you can see a ripple effect. The message is that whatever you do, good or bad, it will have an effect on everyone around you.

Other names of the African print circular design are Consulaire, Gbédjégan which is a traditional straw king’s hat in Togo, and Gbedze, a hat worn during daily activities to protect the wearer from the sun. In Nigeria, the design is known as Record which reminds people of old vinyl records.

When purchasing wax print fabric it is hard to know where the fabric you purchased online or in the markets comes from and who designed and produced the fabric. For instance, VLISCO owns The Ghana Textile Printing Company, GTP, which has two companies under the GTP brand which are Tex Styles Ghana that prints GTP products and Premium African Textiles which creates the designs, distributes, sells and markets the GTP brand.

Other brands are Woodin which is designed, produced and sold by Tex Styles Ghana Limited and Premium African Textiles Company, and the fabric is imported by VLISCO and Uniwax produced in Côte d'Ivoire, also known as Ivory Coast, fabric is imported by Vlisco also. 

The household gravel, leopard skin or small stones African wax printing design is a symbol about how your family can give the most pain.

The household gravel, leopard skin or small stones African wax printing design is a symbol about how your family can give the most pain.


Made in Africa, no, the African fabric print you're wearing probably isn’t African it is Dutch, Indian or Chinese.

African wax print fabric made in the Netherlands and made in China is a stamp that is ubiquitous and can be found on thousands of fabric designs worldwide. Nevertheless, it is rare to find fabric that marks its point of origins in an African country, Made in Ghana would indeed be a strange site in America since Africa has 1.5% share of the world's total manufacturing output. This scenario does not help to spread wealth and bolster the Ghanaian economy.

Wear African print fabric but make no illusion that sporting the attire makes you any closer to Africa than wearing Levis. Culture is deeper than African prints made in The Netherlands, China or India. Culture is learning and understanding were wax prints originated. African wax prints, also known as Ankara and Dutch wax prints in contemporary times, is an African traditional printing processes.

European traders replicated the fabrics using modern machinery, particularly the Dutch who are one of the main producers of the fabrics today. The method of producing African wax print fabric is ancient art forms were designs are printed onto cotton cloth using soft wax.

The purpose of the wax is to prevent the dye from penetrating the cloth. The dye is then applied to the cloth coloring the spaces in between the wax areas. Sometimes several colors are used, with a series of dyeing, drying and waxing steps.

Many of symbols in African wax printing method are coded pictures that relate to the history, beliefs, and philosophy of African people. During local production of African cloth, symbols were well-known visual signs that had a hidden meaning and only locals could decipher.


Ghana African Papa Ye Asa Print Fabric means ungrateful friend or goodness is never finished.
Ghana African Papa Ye Asa Print Fabric

Depending on the African country, African print patterns have different meanings, for example in Ghana the African print design above is called Papa Ye Asa and means ungrateful friend or goodness is never finished. In Cote d'ivoire this African print is called Grotto denoting a prosperous person with high social status.

African woman farmer

She Feeds Africa

Before sunrise, after sunset, seven days a week — she grows the food that keeps the continent alive.

60–80 % of Africa’s calories come from her hands.
Yet the land, the credit, and the recognition still belong to someone else.

Read her story →

To every mother of millet and miracles —
thank you.

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African Gourmet FAQ

Archive Inquiries

Why "The African Gourmet" if you're an archive?

The name reflects our origin in 2006 as a culinary anthropology project. Over 18 years, we've evolved into a comprehensive digital archive preserving Africa's cultural narratives. "Gourmet" now signifies our curated approach to cultural preservation—each entry carefully selected and contextualized.

What distinguishes this archive from other cultural resources?

We maintain 18 years of continuous cultural documentation—a living timeline of African expression. Unlike static repositories, our archive connects historical traditions with contemporary developments, showing cultural evolution in real time.

How is content selected for the archive?

Our curation follows archival principles: significance, context, and enduring value. We preserve both foundational cultural elements and timely analyses, ensuring future generations understand Africa's complex cultural landscape.

What geographic scope does the archive cover?

The archive spans all 54 African nations, with particular attention to preserving underrepresented cultural narratives. Our mission is comprehensive cultural preservation across the entire continent.

Can researchers access the full archive?

Yes. As a digital archive, we're committed to accessibility. Our 18-year collection is fully searchable and organized for both public education and academic research.

How does this archive ensure cultural preservation?

Through consistent documentation since 2006, we've created an irreplaceable cultural record. Each entry is contextualized within broader African cultural frameworks, preserving not just content but meaning.