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Potjiekos Chicken and Plantain Stew
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Potjiekos Pot Food traditional South African Afrikaner stew
Potjiekos (Pot = potjie and Food =kos) is a traditional Southern African Afrikaner stew cooked in a cast iron pot over an open fire. Our version of Potjiekos Chicken and
Plantain Stew is made on the stovetop and served with love.
Potjiekos Chicken and Plantain Stew
Potjiekos
Chicken and Plantain Stew
Ingredients
4
chicken thighs with skin
2
medium onions, finely sliced
2
ripe plantains, sliced
2
medium carrots, cut into strips
2
medium potatoes, diced
1
large tomato, sliced
2
sprigs chopped parsley
1 sprig thyme
2
garlic cloves, finely chopped
1
hot pepper, finely chopped
1
teaspoon ground cloves
2
teaspoons curry powder
1
tablespoon any flavor chutney
2
dried bay leaves
4
cups water
Salt
and pepper to taste
Directions
Add
all ingredients to a large lidded stew pot, simmer for 1 hour. Serve over rice or with soft
bread.
Afrikaner, who are they?
In 1688 a group of French Protestants, striving for religious freedom, fled from France and settled in the Cape. Together with the Free Burghers who were farmers, they are regarded as the earliest ancestors of the Afrikaner nation. This community developed their own language, national identity, history, and religion. Modern-day definition of Afrikaner refers to any white Afrikaans speaking person.
What holidays do Afrikaners celebrate?
New Year and Dingaan's Day or Day of the Covenant memorial festivals are traditionally celebrated annually. Afrikaners also continue to celebrate their heritage in traditional ways and on special occasions put on traditional dress and take part in formal dancing called volkspele. On these occasions, boys and men wear shorts with knee socks, and women wear long dresses and bonnets. Male folk dancing partners also wear shirts with vests and long pants.
What type of sport do Afrikaners enjoy?
Bokdrol Spoeg or Kudu Dung Spitting is a sport practiced by the Afrikaner community in South Africa. Bokdrol Spoeg is a traditional indigenous South African sport of spitting antelope droppings. The object of the competition is to spit the small hard dropping of the Greater Kudu antelope poop the furthest distance. The person who spits the antelope dropping the farthest wins. There is skill in choosing the right texture of poop to spit, the harder the poop the further the poop travels when expelled. And yes there is a yearly competition held in South Africa’s Afrikaner community for Bokdrol Spoeg.
Loaves of bread, cakes, wine, water beer, oils, and perfumes were offerings Ancient Egyptians offered to the deceased at Beni Hasan Rock-Cut Tombs. A rock-cut tomb is a type of burial structure that is created by carving or excavating directly into natural rock formations. Rock-cut tombs are literally carved or excavated out of solid rock. This means that the tomb chambers, corridors, and other features are created by removing the rock material from the surrounding natural formation. Many of these rock-cut tombs feature decorative elements, such as wall paintings, inscriptions, and carvings. In the Beni Hasan Rock-Cut Tombs, the ancient Egyptians paid homage to their departed by presenting a variety of offerings. These included loaves of bread, cakes, wine, water, beer, oils, and perfumes. These offerings were a heartfelt gesture to honor and ensure the well-being of the deceased in the afterlife, reflecting the profound significance of their beliefs and funerary customs in ancient E
Exploring the Nouakchott Mosque's Design At first glance, the Nouakchott Mosque's most prominent feature is its soaring minaret, one of Africa's tallest. This towering structure serves as a call to prayer and a beacon that guides the faithful toward their place of worship. The minaret's height allows the call to prayer, or Adhan, to resonate far and wide, calling the community to come together for their daily prayers and congregational gatherings. It's common for mosques to be named based on their location, as in the Nouakchott Mosque in Nouakchott, Mauritania. The mosque's design pays homage to the classic elements of Islamic architecture. Like in many Islamic architectural designs, the dominant colors at the Nouakchott Mosque tend to be earthy and neutral tones, with white being a particularly prevalent color. These color choices have cultural and practical significance in Islamic architecture. Its grand entrance is adorned with intricate geometric patterns
The journey of a grain of sand from the shores of Ghana to New England, USA, is an important reminder of the interconnectedness of all existence. It serves as a reminder that even the smallest and seemingly insignificant elements of our world are subject to the grand tapestry of natural processes and the relentless passage of time. It also invites us to reflect on the intricate web of relationships that underlie our existence and the profound implications of our actions on the global scale. The journey of a grain of sand from the shores of Ghana to New England, USA, shows how interconnected our world is despite vast distances. Sand grains on the shores of Ghana, like those on coastlines worldwide, are constantly subject to natural processes such as erosion. Waves, tides, and weathering gradually break down rocks and minerals, producing sand. The Atlantic Ocean separates Ghana from the eastern United States. Ocean currents, including the North Atlantic Drift and the Gulf Stream, are c
The Ancient Energy of Sarkin Ruwa, the King of the Water Sarkin Ruwa is the West African Hausa culture revered spiritual energy, the guardian of all things water, making sure it flows and nourishes the Earth in the most extraordinary ways. In the grand tapestry of the natural world, few forces possess the mystique, the sheer might, and the profound influence that water holds. An embodiment of life and power, water transcends mere chemical composition, captivating our senses and imagination. At the heart of this aquatic dominion stands a figure deserving of the loftiest accolades: Sarkin Ruwa, the King of the Water. To those who understand the true potential of this elemental ruler, it becomes evident that water's sovereignty reigns supreme. Imagine a realm that can both nurture and destroy, bestow life and take it away—a realm that can carve canyons out of rock and cradle civilizations with gentle tides. This is the kingdom of Sarkin Ruwa, where the ebb and flow of its currents po
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