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For 19 years, The African Gourmet has preserved Africa's stories is currently selected for expert consideration by the Library of Congress Web Archives, the world's premier guardian of cultural heritage.

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Tribal Beauty | Ndebele Distinct Cultural Identity

Ndebele peoples culture

African beauty

Southern and Northern African Ndebele people preserved their cultural identity. Art, life, and language profile for Ndebele of South African and Zimbabwe culture. Southern African Ndebele people maintained the use of the isiNdebele language, rituals, customs and art forms as a means of asserting their African Ndebele identity and resistance to outsiders.

South African ethnic art

Ndebele African people tribe art, history, and language.

Explore and Understand Africa Through Her Food and Culture

The Nguni tribes represent nearly two-thirds of South Africa's Black population divided into four distinct groups; the Central Nguni (the Zulu-speaking peoples), the Southern Nguni (the Xhosa-speaking peoples), the Swazi people from Swaziland and adjacent areas and the Ndebele people of the Northern Province and Mpumalanga.

Traditionally the Ndebele wife would wear rings called idzila as a status symbol around her arms, legs and neck.

Traditionally the Ndebele wife would wear rings called idzila as a status symbol around her arms, legs, and neck. These outward symbols can be removed only in case of death of the spouse. Idzila was worn by the wife to embody her until death does us part union and devotion to her husband. 

Husbands used to provide their wives with the idzila rings. The more prosperous husbands could afford to by his wife more idzila rings thus the more rings the wife would wear the greater her status in the Ndebele community.

Today it is no longer common practice to wear these rings permanently. Over time, among the youngest populations, this custom to wear the idzila for a lifetime is disappearing. Each African culture is a unique answer to the question of what it means to be human. In today’s rapidly changing world, people from Africa worry about losing their traditional culture, the traditional way of life is getting lost.

One Ndebele beauty custom that has survived the modern way of life is elaborate wall paintings.  The Ndebele wall paintings have a strong symbolic value and are closely linked to the home and to the relationship of the person. Women paint on the outside walls and sometimes also on the interior walls with rich geometric patterns learned from childhood. The walls are changed and repainted in particular moments of family life.

South African Ndebele painting patterns and colors

The South African Ndebele origins are unknown however, their history can be traced back to chief Mafana in the 1600’s. The Ndebele first officially recorded chief, chief Mafana was succeeded by chief Mhlanga. 

The Ndebele second chief Mhlanga had a son named Musi who decided to leave his homeland. Chief Mhlanga did not name an heir and after his death, his two sons argued over the position and the tribe divided into two divisions, the Manala, and the Ndzundza.

Mampuru and 30 men murdered Mampuru's brother Sekhukune on August 23, 1882, he then went into hiding. Commandant General Piet Joubert was ordered to find Mampuru.  Joubert located Mampuru after the Ndzundza tribe women were tortured into revealing his whereabouts at Erholweni Mapochs Caves on October 12, 1882.

It was only after the Boer forces with the aid of other tribal chiefs surrounded the caves cutting off food and water supplies. Mampuru was sentenced to death and died at the gallows on November 22, 1883, in Pretoria South Africa. The war was ended after eight months and one day, on July 8, 1883.

The First Boer War disturbed the cohesive tribal structure of the Ndzundza-Ndebele when they lost the battle and their tribal lands were confiscated. However, the Ndebele preserved their distinct cultural identity. They maintained the use of the isiNdebele language, rituals, customs and art forms as a means of asserting their cultural identity and resistance to outsiders.

Ndebele wall paintings have strong symbolic value and are closely linked to the home and to the relationship of the person within. Ndebele Women paint on the outside walls and sometimes also on the interior with rich geometric patterns.

The walls are changed and repainted in particular moments of family life. This art form has developed in the second half of the nineteenth century, using bright of the brightest colors. Earth tones were used in the past.

There are three main groups of Ndebele people; The Southern Transvaal Ndebele (now Gauteng and Mpumalanga) The Northern Transvaal Ndebele (now Limpopo Province) around the towns of Mokopane (Potgietersrus) and Polokwane (Pietersburg). The Ndebele people of Zimbabwe, who were called the Matabele by the British. 


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Recipes Explain Politics

The Deeper Recipe

  • Ingredients: Colonial trade patterns + Urbanization + Economic inequality
  • Preparation: Political disconnect from daily survival needs
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African Gourmet FAQ

Archive Inquiries

Why "The African Gourmet" if you're an archive?

The name reflects our origin in 2006 as a culinary anthropology project. Over 18 years, we've evolved into a comprehensive digital archive preserving Africa's cultural narratives. "Gourmet" now signifies our curated approach to cultural preservation—each entry carefully selected and contextualized.

What distinguishes this archive from other cultural resources?

We maintain 18 years of continuous cultural documentation—a living timeline of African expression. Unlike static repositories, our archive connects historical traditions with contemporary developments, showing cultural evolution in real time.

How is content selected for the archive?

Our curation follows archival principles: significance, context, and enduring value. We preserve both foundational cultural elements and timely analyses, ensuring future generations understand Africa's complex cultural landscape.

What geographic scope does the archive cover?

The archive spans all 54 African nations, with particular attention to preserving underrepresented cultural narratives. Our mission is comprehensive cultural preservation across the entire continent.

Can researchers access the full archive?

Yes. As a digital archive, we're committed to accessibility. Our 18-year collection is fully searchable and organized for both public education and academic research.

How does this archive ensure cultural preservation?

Through consistent documentation since 2006, we've created an irreplaceable cultural record. Each entry is contextualized within broader African cultural frameworks, preserving not just content but meaning.