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One bowl of fufu can explain a war. One proverb can outsmart a drought.

Welcome to the real Africa— told through food, memory, and truth.

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🔵 African Recipes & Cuisine

Dive into flavors from Jollof to fufu—recipes, science, and stories that feed body and soul.

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🔵 African Proverbs & Wisdom

Timeless sayings on love, resilience, and leadership—ancient guides for modern life.

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🔵 African Folktales & Storytelling

Oral legends and tales that whisper ancestral secrets and spark imagination.

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🔵African Plants & Healing

From baobab to kola nuts—sacred flora for medicine, memory, and sustenance.

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Big Five to folklore beasts—wildlife as symbols, food, and spiritual kin.

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About the Author

A Legacy Resource, Recognized Worldwide

For 19 years, The African Gourmet has preserved Africa's stories is currently selected for expert consideration by the Library of Congress Web Archives, the world's premier guardian of cultural heritage.

Trusted by: WikipediaEmory University African StudiesUniversity of KansasUniversity of KwaZulu-NatalMDPI Scholarly Journals.
Explore our archived collections → DOI: 10.5281/zenodo.17329200

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Bird King of Africa African Folklore

Short African Folklore Story

Bird King of Africa African Folklore tells the story of the first and only meeting of African birds to choose their king.

Bird King of Africa African Folklore
Tink is a tricky bird
The birds of Africa wanted a king. Men have a king, so have animals, and why shouldn't they? All had assembled to choose a bird king to rule all of Africa.

"The Ostrich, because he is the largest bid in Africa," one called out.

They replied "No, he can't fly."

"Eagle, on account of his strength."

They replied "Not he, he cannot sing."

"Vulture, because he can fly the highest."

They replied "No, Vulture is too dirty, his odor is terrible."

"Peacock, he is so beautiful."

They replied "His feet are too ugly, and also his voice."

"Owl, because he can see well."

They replied "Not Owl, he is scared of the light."

And so they got no further. Then one shouted aloud, "He who can fly the highest will be king." "Yes, yes," they all screamed, and at a given signal they all ascended straight up into the sky.

Vulture flew for three whole days without stopping, straight toward the sun. Then he cried aloud, "I am the highest, I am king."

"Ha-Ha-Ha," he heard above him. There the smallest bird in Africa, the penduline-tit whose name was Tink, was flying next to him. Tink had held fast to one of the great wing feathers of Vulture, and had never been felt, he was so light. "Ha-a-ha-ha, I am the highest, I am king," piped Tink.

Vulture flew for another day still ascending. "I am highest, I am king."

"Ha-Ha-Ha, I am the highest, I am king," Tink mocked. There he was again, having crept out from under the wing of Vulture.

Vulture flew on the fifth day straight up in the air. "I am the highest, I am king," he called.

"Ha-Ha-Ha," piped the little fellow above him. "I am the highest, I am king."

Vulture was tired and now flew direct to earth. The other birds were mad and decided Tink must be punished because he had taken advantage of Vulture's feathers and there hidden himself. All the birds flew after Tink and he had to take refuge in a mouse hole. But how were they to get him out? The birds decided someone must stand guard to seize Tink the moment he pokes his head out of the mouse hole.

"Owl must keep guard; he has the largest eyes; he can see well," they exclaimed.

That night owl went and took up his position before the hole but in the morning the sun was warm and soon owl became sleepy and fell fast asleep.

Tink peeped his head out of the hole, saw that Owl was asleep, and zip away up into the trees. Shortly afterward the other birds came to see if Tink was still in the hole.  "Ha-Ha-Ha," they heard in a tree; and there sat the little cheating Tink. Still, to this day Tink’s can be heard singing and laughing at the funny trick he pulled on the other birds.

African Folklore Three Facts

African folktales usually have sly animals and spirits as the main characters.

Anansi is one of the most beloved African folktale characters. He often takes the shape of a spider and is considered to be the spirit of all knowledge of stories.

Reading African folktales will help kids make connections to their cultural heritage.


More short folklore stories from Africa to make you fall in love with myths and legends again from the motherland.

  1. Why the bunny rabbit has wiggly slits for a nose
  2. Love Takes No Less Than Everything Marriage Folklore
  3. Hunters Attack Cowards Tell the Story
  4. One Do Wrong All Get Punished
  5. Mighty Little Hedgehog

Chic African Culture and The African Gourmet=

Recipes Explain Politics

The Deeper Recipe

  • Ingredients: Colonial trade patterns + Urbanization + Economic inequality
  • Preparation: Political disconnect from daily survival needs
  • Serving: 40+ deaths, regime destabilization, and a warning about ignoring cultural fundamentals

Africa Worldwide: Top Reads

African Gourmet FAQ

Archive Inquiries

Why "The African Gourmet" if you're an archive?

The name reflects our origin in 2006 as a culinary anthropology project. Over 18 years, we've evolved into a comprehensive digital archive preserving Africa's cultural narratives. "Gourmet" now signifies our curated approach to cultural preservation—each entry carefully selected and contextualized.

What distinguishes this archive from other cultural resources?

We maintain 18 years of continuous cultural documentation—a living timeline of African expression. Unlike static repositories, our archive connects historical traditions with contemporary developments, showing cultural evolution in real time.

How is content selected for the archive?

Our curation follows archival principles: significance, context, and enduring value. We preserve both foundational cultural elements and timely analyses, ensuring future generations understand Africa's complex cultural landscape.

What geographic scope does the archive cover?

The archive spans all 54 African nations, with particular attention to preserving underrepresented cultural narratives. Our mission is comprehensive cultural preservation across the entire continent.

Can researchers access the full archive?

Yes. As a digital archive, we're committed to accessibility. Our 18-year collection is fully searchable and organized for both public education and academic research.

How does this archive ensure cultural preservation?

Through consistent documentation since 2006, we've created an irreplaceable cultural record. Each entry is contextualized within broader African cultural frameworks, preserving not just content but meaning.